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1964-69
1970-74
1975-79
1980-84
1985-89
1990-94
1995-99
2000-04
2005-09
2010-14
2015-19
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Article Index 1964-2024
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THE INFLUENCE OF MINIMALIST COMPOSITIONAL TECHNIQUES ON MUSICAL LITERATURE FOR WIND ENSEMBLE
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WILLIAM GRANT STILL'S FROM THE DELTA: A WORK FOR WIND BAND IN CULTURE AND CONTEXT
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PERCY GRAINGER’S “THE BRISK YOUNG SAILOR” FROM LINCOLNSHIRE POSY: AN EXAMINATION OF TEN MEASURES
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WOMEN AS WIND BAND CONDUCTORS: EXAMINING LIVED EXPERIENCES OF PROFESSIONALS IN THE FIELD
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CHILDREN’S OVERTURE BY EUGÈNE BOZZA: AN ANALYSIS AND PRESENTATION OF SOURCE MATERIALS
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APPLYING NEO-RIEMANNIAN THEORY TO WIND BAND LITERATURE: AN ANALYSIS OF A THEME FROM JOHAN DE MEIJ’S
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TŌRU TAKEMITSU’S CONCERTO DE CHAMBRE PAR 13 EXÉCUTANTS: HISTORY, MANUSCRIPT SCORE ANALYSIS, AND CONT
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PROGRAMMING TRENDS OF POWER FIVE CONFERENCE UNIVERSITY WIND BANDS FROM 2011 - 2022
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CONDUCTOR IMMEDIACY BEHAVIORS AS PREDICTORS OF MUSICIAN ENJOYMENT IN COLLEGIATE WIND ENSEMBLES
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AURAL SKILLS PEDAGOGY IN THE WIND BAND: A SURVEY OF SECONDARY AND COLLEGIATE WIND BAND CONDUCTORS’ P
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TIMING PATTERNS OF PROFESSIONAL AND STUDENT CONDUCTORS: AN EXPLORATORY STUDY
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ENROLLMENT IN ILLINOIS SCHOOL BANDS DURING THE COVID-19 PANDEMIC
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STRAVINSKY’S MUSICAL PORTRAYAL OF SPECIFIC CHARACTERS IN HISTOIRE DU SOLDAT
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PROGRAMMING PRACTICES OF AUSTRALIAN AND AMERICAN UNIVERSITY WIND ENSEMBLES
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STRAVINSKY’S SYMPHONIES OF WIND INSTRUMENTS: A FRAGMENTED “CANTATA” FOR A FRAGMENTED AGE
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AN ANALYSIS OF JAMES M. STEPHENSON’S SYMPHONY NO. 2—VOICES WITH COMMENTARY BY THE COMPOSER
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CLAUDE ARRIEU’S DIXTUOR POUR INSTRUMENTS À VENT: COMPOSER BACKGROUND AND FORMAL ANALYSIS
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BAND STUDENT TEACHERS’ PERCEPTIONS OF PRACTICUM: AN INSTRUMENTAL CASE STUDY
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THE EFFECTS OF AUTONOMOUS CHAMBER MUSIC ON BAND STUDENTS’ CREATIVITY
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PRESERVICE MUSIC EDUCATORS’ ABILITY TO SELF-ASSESS THEIR CONDUCTING EXPRESSIVITY
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THE COMPOSER IN EXILE: DARIUS MILHAUD’S SUITE FRANCAISE
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FACTORS INFLUENCING HIGH SCHOOL MARCHING BAND DIRECTORS’ CAREER DECISIONS: THE ROLE OF PROFESSIONAL
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DAVID WALLIS REEVES AND JOHN PHILIP SOUSA’S INFLUENCE ON CHARLES IVES’S EARLY MARCHES FOR WIND BAND
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TEMPO PREFERENCES IN CONDUCTING SCHOENBERG’S THEME AND VARIATIONS
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SEGREGATED AND SUPERIOR, INTEGRATED AND INFERIOR: EFFECTS OF INTEGRATED BAND FESTIVALS ON RATINGS O
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HIGH SCHOOL MUSICIANS: PERFORMANCE ANXIETY AND POST-SECONDARY PLANS
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THE CASE AGAINST PERCY GRAINGER’S NARRATIVE OF SINGER CHARACTERIZATION IN LINCOLNSHIRE POSY
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PREDICTIVE RELATIONSHIPS BETWEEN CONCERT BAND SIZE AND RATINGS AT ADJUDICATED MUSIC PERFORMANCE ASSE
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ANALYSIS: ENGELSFLÜGEL BY BRETT DEAN
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SATURDAY NIGHT LIGHTS: THE ORIGIN AND EVOLUTION OF A MARCHING BAND ADJUDICATION CONTEST AND CIRCUIT
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“THE BRASS MOUNTED ARMY”: CIVIL WAR BANDSMEN AND HUMOR
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THE LESBIAN AND GAY BAND ASSOCIATION: AN EXPLORATORY STUDY OF FACTORS INFLUENCING PARTICIPATION
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CORRELATIONS BETWEEN SOCIOECONOMIC STATUS AND SCORES AT A MARCHING BAND CONTEST
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LOVE, FORTUNE, AND MURDER: A TALE OF JEALOUSY AND DESIRE IN RODRIGO’S EPIC PER LA FLOR DEL LLIRI BLA
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THE FREDERICK NEIL INNES/CONN NATIONAL SCHOOL OF MUSIC, 1915-1932
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WIND BAND ADJUDICATION FORMS IN THE UNITED STATES: VALUES FOR LISTENING
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SUCCESSFUL CAREER WIND BAND LITERATURE CONTRIBUTIONS ORIGINATING FROM THE YOUNG COMPOSERS PROJECT
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THE EFFECT OF SINGING WHILE LISTENING ON UNDERGRADUATE MUSIC MAJORS' ABILITY TO DETECT PITCH AND RHY
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STRAVINSKY AND THE CIRCUS POLKA
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DEWEY O. WILEY AND THE TEXAS TECH BAND: THE DEPRESSION YEARS
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ALL-STATE BAND PRACTICES AND PROCEDURES: A NATION-WIDE SURVEY
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INSTRUMENTAL MUSIC IN AMERICAN EDUCATION: IN SERVICE OF MANY MASTERS
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THE EFFECT OF AURAL COMMENTARY, WRITTEN COMMENTS, AND BEHAVIORAL SELF-ASSESSMENT ON CONDUCTOR
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ANALYSIS: MUSIC FOR EIGHTEEN WINDS BY JOHN HARBISON
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ORCHESTRAL TRANSCRIPTIONS FOR CONCERT BAND: AN OVERVIEW OF RESEARCH AND PUBLICATIONS
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AN ANALYSIS OF RON NELSON'S PASSACAGLIA
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NINTH GRADE STUDENT PERCEPTIONS OF A BAND FESTIVAL EXPERIENCE
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THE BAND MUSIC OF DON GILLIS: SELECTED COMPOSITIONAL INFLUENCES
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A COMPARISON OF HIGH SCHOOL BAND AND NONBAND STUDENTS' REACTIONS TO SELECTED WIND BAND EXCERPTS
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THE HASKELL (INSTITUTE) INDIAN BAND IN 1904: THE WORLD'S FAIR AND BEYOND
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AN ANALYSIS OF BLUE LAKE: OVERTURE FOR CONCERT BAND
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VISUAL REPRESENTATION OF MUSIC: EFFECTS OF BEAMED AND BEAMLESS NOTATION ON MUSIC
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HENRY DIXON COWELL AND HYMN AND FUGUING TUNE NO. 1 FOR SYMPHONIC BAND (1944)
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LUIGI ZANINELLI'S CONCERTO FOR PIANO AND SYMPHONIC WIND ENSEMBLE
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DIFFERENTIAL PATTERNS OF LISTENING TO WIND BAND MUSIC BY MORE OR LESS ADVANCED INSTRUMENTAL MUSIC ST
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THE DEVELOPMENT OF THE AUSTRALIAN WIND BAND
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INDEX TO THE JOURNAL OF BAND RESEARCH VOLUMES 20-30
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INTER-JUDGE RELIABILITY FOR THE 1994 OKLAHOMA ALL-STATE BAND AUDITIONS BASED ON AN OLYMPIC STYLE JUD
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