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1985-89
1985-89
ANTHONY IANNACCONE, AN INTRODUCTION TO HIS WORK
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ANALYSIS: ANTHONY IANNACCONE'S APPARITIONS
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ERIK WILLIAM GUSTAV LEIDZEN (1894-1962): HIS CONTRIBUTIONS TO CONCERT BAND LITERATURE
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THE EFFECT OF NONPLAYING TIME ON THE PITCH OF SELECTED IN-STRUMENTS IN THE HIGH SCHOOL CONCERT BAND
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THE HUMBOLDT, KANSAS, TOWN BAND: ITS TIMES AND ITS MUSIC FROM 1866 TO 1881
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FACTORS OF ATTRITION AMONG HIGH SCHOOLBAND DIRECTORS
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JAMES ROBERT GILLETTE: THE CARLETON SYMPHONY BAND AND THE "PAGAN"
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NONVERBAL COMMUNICATION: ITS APPLICATION TO CONDUCTING
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EDVARD GRIEG'S FUNERAL MARCH IN MEMORY OF RIKARD NORDRAAK FOR MILITARY BAND
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VICTOR HERBERT: AMERICAN BANDMASTER AND MARCH COMPOSER
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AN INFORMAL APPLICATION OF GORDON'S TIMBRE PREFERENCE TEST
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THE EIGHTH CONFERENCE OF THE INTERNATIONALE GESELLSCHAFT ZUR ERFORSCHUNG UND FORDERUNG DER BLASMUSIK
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THE HOLST SEPTET FOR WINDS
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ROGER A. NIXON AND HIS WORKS FOR BAND
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RICHARD FRANKO GOLDMAN AND THE GOLDMAN BAND
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ANALYSIS: GUNTHER SCHULLER'S IN PRAISE OF WINDS
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THE INSTRUMENT MANUFACTURING INDUSTRY AND THE SCHOOL BAND MOVEMENT: THE ''HOLTON SCHOOL BAND:
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BOOK REVIEW: HERALDS OF VICTORY BY RONALD W. HOLZ
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THE FIRST ABA BAND
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THE STAHL BAND PARTBOOKS: A NEW SOURCE OF TURN-OF-THE-CENTURY AMERICAN BAND MUSIC
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FRANK SIMON: HISTORY AND INFLUENCE
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A HISTORY OF THE WIND BAND IN CANADA
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THE THIRD CONFERENCE OF THE WORLD ASSOCIATION FOR SYMPHONIC BANDS AND ENSEMBLES
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A STUDY TO DETERMINE THE EXTENT TO WHICH VOCALIZATION IS USED AS AN INSTRUCTIONAL TECHNIQUE
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THE STAUTH BROTHERS AMERICAN CIRCUS MUSIC MUSEUM, INC.: A TRIBUTE TO WARD STAUTH
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ANALYSIS: WINDS OF NAGUAL BY MICHAEL COLGRASS
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EARLY AMERICAN WIND MUSIC IN GENERAL INSTRUMENTAL TUTORS, 1800-1836
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COLLEGE AND UNIVERSITY WIND BAND REPERTOIRE, 1980-1985
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THE MEASUREMENT OF FINGER DEXTERITY IN WOODWIND AND BRASS INSTRUMENTALISTS: A DEVELOPMENTAL STUDY
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BOOK REVIEW: MARCH MUSIC NOTES BY NORMAN E. SMITH
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THE VICTOR BLACK LABEL MILITARY BAND RECORDINGS FROM 1900 to 1930: Part II
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SKETCHES FOR HOLST'S "A MOORSIDE SUITE"
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THE HISTORY OF WIND BANDS IN SOUTH AFRICA: PART I
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THE PEDAGOGICAL APPROACHES OF EIGHT IMPORTANT MIDWESTERN BAND CONDUCTORS DURING THE LATE 1920s, 30s
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COMMENTS ON THE AIR FORCE AND ITS MUSIC
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THE CREATORE BAND LIBRARY
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THE VICTOR BLACK LABEL MILITARY BAND RECORDINGS FROM 1900 TO 1930: PART I
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PROGRAMMING MARCHES FROM THE U.S., 1775-1825
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ANALYSIS: ARTHUR GOTTSCHALK'S CONCERTO FOR WIND AND PERCUSSION ORCHESTRA
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THE EFFECTS OF TEACHING LEVEL AND TEACHING EXPERIENCE ON COMMON PERFORMANCE ERRORS OF INSTRUMENTAL
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THE SANTELMANN LEGACY
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A REVIEW OF RESEARCH AND LITERATURE CONCERNED WITH PRIVATE AND CLASS INSTRUCTION IN INSTRUMENTAL
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THAT CURIOUS SOUSA VOICE TAPE
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I HAVEN'T PLAYED OPERA: AN INTERVIEW WITH MERLE EVANS
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THE SECOND CONFERENCE OF THE WORLD ASSOCIATION FOR SYMPHONIC BANDS AND ENSEMBLES
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ANALYSIS: THE PASSING BELL OF WARREN BENSON
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BOOK REVIEW: A PICTORIAL HISTORY OF CIVIL WAR ERA MUSICAL INSTRUMENTS & MILITARY BANDS
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FRENCH MILITARY MUSIC AND THE REBIRTH OF THE TROMBONE
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THE EFFECT OF SPEED ALTERATIONS ON HIGH SCHOOL MUSICIANS' TEMPO NOTE SELECTIONS
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COL. EARL D. IRONS AND THE EARLY DEVELOPMENT OF TEXAS BANDS
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AN ANALYSIS OF ELLIOT DEL BORGO'S DO NOT GO GENTLE INTO THAT GOOD NIGHT
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A COMPETENCY-BASED COURSE IN BASIC CONDUCTING TECHNIQUES: A REPLICATION
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TREATMENT OF THE CORNET AND TRUMPET IN SELECTED TWENTIETH-CENTURY BAND
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THE ELEMENTS OF UNITY AND THEIR APPLICATIONS ON VARIOUS LEVELS FIRST MOVEMENT KARL HUSA'S CONCERTO
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